Penny de los Santos - The Tejanos Project
Penny de los Santos, a documentary photographer based in Texas, was awarded The National Geographic Photography Grant to continue her documentary work on the Texas/Mexican border and Tejano culture.

She explains: “This region of Texas is a place where cultures clash and are constantly being redefined. I spent a total of four years developing the body of work, to this day I am still documenting the culture and the geography. This photograph was taken in the Texas/Mexico border town of Laredo. The young woman is being fitted for a dress by the designer, at right, her mother and designers assistants. She is being introduced into “high society” at a ball and pageant that happens annually by the Society Of Martha Washington. This induction into “high society” is based on family heritage and class and has been passed down from generation to generation since the 1950’s.”
Blane De St. Croix, Broken Landscape
The Broken Landscape project is based on recent travels along the entire Mexico/United States border. Research for the project involved traveling over 3,000 miles and exploring both the old and new federal fence still under construction. I visited 15 border crossings and spoke with people on both sides of the border communities (both in geography and ideology), including civilian residents, the fence contractors, US border patrol and journalists.
The Broken Landscape project reconstructs a selected section of this border as a monumental miniaturized section of the new fence and surrounding landscape. This sculpture for Smack Mellon’s gallery runs over eighty feet in length through the entire space climbing varying heights and slicing between the gallery’s columns and architectural space. The sculpture itself divides the space acting as a border or barrier for the viewer to be controlled by. Referencing the historical genre of landscape painting, Broken Landscape is a painstaking rendering of the land’s topography and its established border.
My work utilizes sculptural object, installation and drawing. Employing a combination of natural and industrial materials. I am interested in articulating humankind’s desire to take command over the earth—alluding to conflicts with ecology, politics, ourselves and the level of human absence and/or presence in industry. I often borrow from man-made elements and architectural environments and adjoin them with natural habitats, asking us to reflect on our precarious relationship with our surroundings.
Feral Trade, trading goods through social networks

Feral Trade (Import-Export) is an artist-run grocery business established in Bristol in 2003. According to Kate Rich, the inventor, it is a public experiment which trades goods via social networks. Products are run along social routes, avoiding official channels of distribution in preference for a hand-carried cargo system, often using other artists or curators as
Blane De St Croix, Broken Landscape
The Broken Landscape project is based on recent travels along the entire Mexico/United States border. Research for the project involved traveling over 3,000 miles and exploring both the old and new federal fence still under construction. Artist Blane De St. Croix visited 15 border crossings and spoke with people on both sides of the border communities (both in geography and ideology), including civilian residents, the fence contractors, US border patrol and journalists.
The Broken Landscape project reconstructs a selected section of this border as a monumental miniaturized section of the new fence and surrounding landscape. This sculpture for Smack Mellon’s gallery runs almost one hundred feet in length through the entire space climbing varying heights and slicing between the gallery’s columns and architectural space. The sculpture itself divides the space acting as a border or barrier for the viewer to be controlled by. Referencing the historical genre of landscape painting, Broken Landscape is a painstaking rendering of the land’s topography and its established border.
Blane De St. Croix’ work utilizes sculptural object, installation and drawing. “Employing a combination of natural and industrial materials. I am interested in articulating humankind’s desire to take command over the earth—alluding to conflicts with ecology, politics, ourselves and the level of human absence and/or presence in industry. I often borrow from man-made elements and architectural environments and adjoin them with natural habitats, asking us to reflect on our precarious relationship with our surroundings.”
At Smack Mellon, Brooklyn.
Transborder Immigrants Tool:
A Mexico/U.S. Border Disturbance Art Project
By Ricardo Dominguez and Brett Stalbaum (Principal Investigators)
(Electronic Disturbance Theater/b.a.n.g lab)
Selected tag: Border
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Régine Debatty writes about the intersection between art, design and technology on her blog we-make-money-not-art.com.
She also contributes to various design and art magazines, curates art shows and lectures internationally.
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